An extension of the theme of repetitive mundanity that I worked with for my graduating project. The switch comes from the people in daily life, to the expressions made and felt on the day to day basis. Titled ‘Mimic’, it studies the observations made in the subtleties in facial movement to make one hundred (and some extra,) miniature heads.
A body of work that was made with a microwave kiln.
Cone8 Zine (September-December Edition)
Collaboration with Cone8 Ceramics to create a zine covering the months of September to December. Worked to create the overall zine designand illustrated assets within.
2025
No One Has Taught Me This (London Design Festival 2025), Blackdot Gallery
“No One Has Taught Me This at @l_d_f_official explores how design is shaped not just by what we know — but by what we feel, remember, and imagine. From grief and migration to hacked tools and family archives, the works reveal what can’t be taught, only lived.”
No One Has Taught Me This, a group exhibition presented by Blackdot Gallery, is a part of London Design Festival 2025. From 19-20th of September, 12:00-19:00, 21 September 12:00-17:00. 9 Caledonian Road, London N1 9DX.
Collaboration with Cone8 Ceramics to create a zine covering the months of May to August. Worked to create the overall zine designand illustrated assets within.
Central Saint Martins Shows 2025
Exhibiting my work, Therefore, I am (2025) at Central Saint Martins’ Summer Show 2025, as part of the BA(Hons) Ceramic Design graduating cohort.
Graduating piece of work for CSM’s BA(Hons)Ceramic Design. Exhibited at Central Saint Martins Shows 2025in June of 2025.
“I am a collector of unimportant things. I create to express my feelings that stem from lifelong observation. “Therefore, I am” is about the realisation of our existences through the commemoration of moments in memory. It exists as a colourful mosaic of both tiles and vessels. I work with intricacy to emphasise the significance of insignificance of our mundane moments, and how it makes up the big picture in our existences.
My work explores the digital and mental forms of how we archive memory through surface design. My work exists within a contemporary context, with the usage of ceramic decals and digital drawings of personal photography. It is a display of recollection and a metaphorical storage. Colour is used to represent emotions and how they relate to memory, and the philatelic influences highlight the theme of commemoration and collection.”
